2018-09-16: Topaz Week 2

I am continuing to enjoy working in Topaz Studio, and now that I am getting more comfortable with the interface, I am starting to notice some differences that may affect how I use the program for future images.

First off, I have noticed that there can be a dramatic difference in how Topaz renders the raw file prior to having any processing done, and it seems to be very dependant on which camera I was using.  This lion image was shot with my old Nikon D610 (which I traded in late last year for a Fuji XT-2).

20170515-DSC_6404.jpg
This is the unedited image, exported from ON1 Photo Raw.
Unedited Topaz Raw File.jpg
This is the unedited image from Topaz Studio.
Luminar Raw file.jpeg
For comparison purposes, this is the raw file out of Luminar.  The results are quite similar to the On1 version, especially in terms of the colour rendering.

As you can see, with this image there are fairly dramatic differences in the colour rendering, the amount of contrast and detail in the image, and how bright the image is.  The raw file appears to have a significant magenta cast in the Topaz file, compared to a more neutral tone in the On1 raw file.  I have been finding colour correction a bit tricky with Topaz so far.  I think of all the tools I have available to me, Luminar does the best job at correcting colour and especially removing colour casts.

But, even though I started from a different spot editing the raw file in Topaz than I would have from On1, I am happy with the results I was able to get with the image.

Edited image.jpg
Here is the finished image.  I spent time with this gorgeous lion early one more whilst on Londolozi Game Reserve in South Africa.  May, 2017.

With this next image, the difference in colour rendering was far less between On1 and Topaz Studio, so as with all photo editing, images do need to be looked at on a case by case basis.  The landscape image below was shot with my Panasonic FZ1000.

On1 unedited
The unedited raw image from On1 Photo Raw.
Topaz unedited
The unedited image from Topaz Studio.

In contrast to the lion image, the raw file in Topaz Studio looks better to me than through On1, a little bit brighter and with a bit more detail.

Topaz edited.jpg
Here is my final edit of this image through Topaz Studio.  I was able to bring out depth of colour and detail in the image, without completely removing the grainy haze from the sand storm that was kicking up in the distance.  Taken at Hoanib Camp in Namibia, April 2017. 

Here is an image from this summer, shot with my Fuji XT-2.  I sure miss sitting outside watching the hummingbirds zip around the yard.

On1 unedited hummers.jpg
Unedited from On1 Photo Raw.
topaz unedit hummer.jpg
Unedited from Topaz Studio.

The difference in rendering on the Fuji files is far less dramatic.  The one out of Topaz looks flatter, but that’s what the editing process is for.

Here is the edited image:

topaz edit hummer.jpg
Edited through Topaz to bring out the detail, and get rid of the distracting elements of the background (in this case by cropping them out).  On second glance I could have made the image a bit brighter, but since the purpose of this exercise was to look for differences in how the raw image looked, I’ll leave it as is.

After doing a few of these image comparisons, I am finding that there is a consistent, dramatic difference in the way On1 and Topaz render files from my old Nikon camera, with the files being significantly more “true to life” in the On1 rendering.  Since I don’t have the Nikon anymore, this isn’t an issue that will plague me beyond finishing up the backlog of images I have that I would like to edit, so I can make smart choices about what software to use when.  The differences between the raw rendering with files from my Panasonic or Fuji cameras is not so dramatic, and if I am using Topaz Studio, I have a better starting point with files from those cameras than I do with the Nikon files.

 

 

 

4 Replies to “2018-09-16: Topaz Week 2”

    1. It can definitely be tricky. I hadn’t thought about it too much until I started researching prior to buying my Fuji camera, and then exploring it after moving away from the standard Lightroom processing workflow. The more I learn, the more I realize I need to learn a lot more!

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