2018-09-10: Monochrome Monday

Just a quick single image post for Monochrome Monday this week.

A zebra stopping traffic on one of the roads through Etosha National Park in Namibia.  The zebra were very abundant there, and quite chill around vehicles making for some nice opportunities for images.  I’ve had lots of experience with zebra taking off in the other direction as soon as they realized you were looking at them.

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Wishing everyone a fantastic week ahead.

2018-09-03: Monochrome Monday

Wishing everyone a great week ahead!

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A zebra appearing shy while having its photo taken in Etosha.  namibia, April 2017.
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A glance over the shoulder by this gorgeous leopard, seen in the Okavango Delta. May 2017.
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A large male lion giving us a bit of a dirty look as we followed him down a roadway.  Londolozi, May 2017.

2018-08-13: Monochrome Monday

I’m a little later than normal with my Monochrome Monday post as I have been playing around with using the MacPhun (now Skylum) Tonality plugin with Luminar.  I must say, I am really enjoying using Tonality again!

Tonality was my go-to for black and white conversion when I was using Lightroom and Photoshop.  I found I could dial in the vision I was imagining much faster than using other black and white methods.  Now that I no longer have Photoshop, I am glad I have a way to integrate the plug-in back into my workflow when I want to.

I’ve started watching some Luminar videos on YouTube by Jim Nix, and one of them really resonated with me today.  It had nothing to do with the image or the edits he did, but just the concept of revisiting old work to re-edit photos, to experiment with new software, filters and combinations of tools to keep your creativity and interest peeked.  A lot of that is why I am enjoying this theme so much, as the lack of familiarity with the software has caused me to think a lot more critically about what I want to achieve, so I can figure out how to do it, but it has also allowed me to just open random filters to see what they do, sometimes to great result, sometimes awful.  If you are interested, you can find the Luminar video by Jim Nix here.

Now on to the images for today.

For this giraffe image, I did an extra step to start, and from Luminar opened Topaz Studio and then the Topaz Remask plugin.  I find Remask is excellent for complicated situations like these tree branches against the sky.  The sky was very grainy, and I wanted to apply some noise reduction, and I thought that would be the best way to go.  I shot this image with my Panasonic FZ1000, which is a very capable little camera, but I do find skies are generally quite noisy regardless of the ISO.  There was also a lot of airborne dust so it could have been that rather than a limitation of the camera.  After I created my mask in Remask, I ran the noise removal filter in Topaz Studio and sent the image back to Luminar, and then onto Tonality for black and white conversion.  If Luminar had an option to adjust luminosity masks so I could isolate the sky, I would have gone that route and saved some steps, but right now its not an option.

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Giraffe in the desert.  Hoanib Skeleton Coast Camp, Namibia.

Things were much simpler for the next two images.  I edited both using the Tonality plug in, though I am sure I could have arrived at similar results just using Luminar.  As with most photo editing programs, there are a lot of different paths to get to the same place.  It’s all about what works for you.

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A zebra calf photographed in Etosha National Park, Namibia.
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A black-faced impala spotted in Ongava Game Reserve in Namibia.  Our guide explained to us that any reserves that add impala to their property in Namibia must add the black-faced impala.  This was started as a measure to help conserve the species and allow them to thrive.

I hope you’ve enjoyed my selections for the day 🙂

2018-03-04: Multiple Exposure Project

This first multiple exposure image of the month is an idea that I jotted down in more than one place over several months, so I am finally glad to have a chance to explore it and create something.

I created this image utilizing photoshop, using some basic layer masks and adjusting the blend mode to suit.  It really is that simple but that are lots of step by step tutorials available if anyone is interested in researching it further.

The lion image that is a basis for the composite was shot in Etosha National Park in Namibia in April 2017.  This young male lion slunk across the road in full stalk position towards a herd of zebra, but as they had spotted him before he even started moving, it really was a wasted effort.  The orientation of the zebra pictures I had from that same time period weren’t quite right for what I was looking to do, so I found one in my catalogue taken in the Okavango Delta in 2015 that worked much better.  The positioning of the group of zebra and tsessebe give the impression that they were watching something in the distance… perhaps even a predator moving through.

 

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2018-02-11: Revisiting Old Work

Another week, and another trip down memory lane in terms of my photography.  I’m really glad I made the decision to work on images already captured for this month, as we got rather buried in the snow the past week, and I haven’t had the time, or the energy, to get out and try and capture anything new.

This week is a mixed bag of images, shot locally and in Africa, in colour and black and white.

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From 2014, a sunrise image of the Golden Ears from the dikes in Pitt Meadows where I used to walk my dog.  
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Flying over Victoria Falls on the way into Livingstone airport in Zambia.  Previously, I wasn’t really able to pull out any decent texture from photos shot through windows.  Zambia, April 2013.
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Victoria Falls from the Zambian side.  I was very fortunate to see it with just the right water level; enough so the falls looked incredibly impressive, but not so much that it was completely shrouded in mist.  Zambia, April 2013.

For my then and now image, I chose this zebra from my first trip to South Africa. The original black and white conversion was done in Lightroom using a few basic adjustments, not long after I returned from my trip.  The updated image was edited recently using a combination of plugins in Photoshop, including MacPhun Tonality and Topaz Detail.  I’m sure I could achieve similar results simply using On1 Photo Raw (I’m not using Lightroom any longer for processing), but I like the ease of using Tonality for black and white edits.

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Then – a basic black and white conversion lacking a lot of contrast.
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Now – the zebra stands out much better against the foliage, and there is a lot more detail throughout the image.

 

Please visit:
www.jennifersawickyphotography.com for wildlife, landscape and nature inspired artwork.

and

https://shopvida.com/collections/jennifer-sawicky for textiles inspired by my photography.

2017-06-04: Artistic Impressions

I’m busily working behind the scenes trying to get my photos catalogued and rated so I can started the editing process.  Good thing I still have a stock pile of edited images that I can share.

Today, some of my artistic impression images.

I hope you enjoy, and wishing everyone a fantastic week ahead.

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2017-05-19: Feel Good Friday

Last week I shared some images from my time in Ishasha, and this week, a mixed bag of images from my time in the Masai Mara region of Kenya.

Wishing you a wonderful weekend ahead!

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A zebra giving me a quick stare down.  I find it is not too often that I get the opportunity to photograph a zebra straight on, as usually they turn away from the camera.
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A lion cub giving us the once over, before moving off to play with its sibling and a stick!
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A good 50% of the elephants that passed by our vehicle stopped and used this tree as a scratching post.
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Mama topi with a very small baby.
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A cheetah on a wildebeest kill.  The weather was just calming after a torrential downpour, which might account for the miserable look on this cheetah’s face.  That, or the vultures hanging around nearby.

 

Please visit:
www.jennifersawickyphotography.com for wildlife, landscape and nature inspired artwork.

and

https://shopvida.com/collections/voices/jennifer-sawicky for textiles inspired by my photography.

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