2019-02-18: Monochrome Monday

I have been incredibly fortunate to see wild dogs on all the trips I have taken to southern Africa.  My very first trip, when asked what animal I hoped I would see, it was the wild dog.  I knew they were rare, endangered, and can be difficult to find, and when our guide Mike found them during our day trip to Chobe Park, I was beyond thrilled.  And I have remained thrilled each time I have had the good fortune of spending time with these amazing animals.

All the images below were from my last trip, when we had wild dogs sightings over 3 days in the Okavango Delta.

 

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On of the pack members breaking off as they set off on a hunt.
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Resting, yet still alert.  After we parked the vehicle, this dog settled in within a few feet of the land rover.
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A classic puppy pose 🙂
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The pack greeting each other as they all awoke from an afternoon of napping.
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Watch dog.

 

2018-09-30: Topaz Studio Week 4

My month of Topaz Studio is coming to a close.  As with my month of Luminar, taking this time to dive into the program has left me feeling a lot more confident using it, and now it is another tool in my photo editing toolbox that I can use to bring out my vision in the images I have created.

Rather than focus on one specific thing for this post, I wanted to share some of my favourite things about the program.

Bringing out amazing contrast and detail

Back when I used Lightroom and Photoshop, Topaz Detail and Clarity were plugins that I would use when I wanted to highlight texture, especially in feathers and fur.  The precision contrast and precision detail adjustments are the same tools found in detail and clarity, though they are still available as the plug in versions or as clarity and detail in studio, which give access to all the fabulous presets that those programs had.  On this cheetah image below, I decided to use the precision contrast and detail rather than the in studio version of detail and clarity.  Since these are sized for the web, some of the fantastic texture of the fur may be a bit lost, but it is definitely there.

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Prior to editing, this cheetah doesn’t look bad, but not great.  Keep in mind that this is a raw image and no matter what, it needs some editing to look its best.
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Using Topaz Studio, I was able to use precision detail and contrast to really highlight the beautiful texture of fur on this cheetah.  Cropped for composition and the usual colour correction adjustments completed as well.

Creating my artistic impression images

I’ve always enjoyed the Topaz Impression and Simplify plug-ins, allowing me to create painterly and whimsical effects to my images.  Sometimes over to the top, sometimes subdued, those programs allow me to create something different with my images, and I love the flexibility they give me.

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A bull elephant crossing the Boteti River to join other members of the bachelor herd that had congregated on the other side earlier in the day.   This version was created in Topaz Studio using some of the adjustments, and then working in Impression in Studio until I had the dreamy feel I was looking for.

Quickly reviving lost detail

I think my favourite discovery in the Topaz Studio program has been the AI Clear adjustment, and it is one I am absolutely going to purchase to make sure I have it available to me.  Many times I find myself out and about with a great scene in front of me, or a moment I want to remember, but the light is fading or there are deep shadows or perhaps fog (sometimes all of the above).  I have found that the AI Clear adjustment can really get images like these back from looking grainy and soft, to full of detail and life.  It’s just one step in the editing process, but it certainly is a powerful tool.

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The unedited version of Wild Dogs in the Okavango Delta.  This group was far enough from the vehicle that I was shooting at 300mm.  Knowing how quickly the dogs move about, I shot at f11 and 1/800 sec to try and keep as much of the group in focus as possible, and freeze the motion.  These choices meant I was at ISO 6400, leaving a lot of noise in the image.
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Cropped for composition purposes, and then edited in Topaz Studio.  I used quite a few adjustments, but I still had the image finished to my liking in only a couple of minutes.  AI Clear did a good portion of the work at the start of the editing process, tidying up the noise and bring back detail to the eyes and the fur, especially to the alpha pair that are on the far left.

I have really been loving the ease of adding my watermark to my images; it is certainly less cumbersome than that current way I have to do so in On1.  One of the drawbacks I have found with Topaz Studio is not being able to resize and export directly from the program.  It means that for images being posted to the blog or my Instagram page, they always need a round trip back to On1 in order to be resized and exported.  Not a deal breaker at all, but just adding an extra step to the process.

If you don’t have it already, I would absolutely recommend downloading Studio and trying it out.  Given that the program is free to use with several adjustments, and there are 30 day trials for all the others, there really is nothing to lose (except maybe a little space on your hard drive) to give it a go.

I hope you’ve enjoyed my take on the program.

Wishing everyone a great week ahead!

2018-09-24: Monochrome Monday

I’m still doing my month of Topaz Studio editing, and decided on a different approach for the images today.  I did the initial colour and tone correction in On1 Photo Raw, and then sent it over to Topaz Studio for further editing.  I did that because the first image shown, of the leopard cub, was rendering so flat in Topaz Studio as a raw file that it would have taken a lot of work just to get it back to a place to start editing.  I figured I would do the same for the other images, just to keep things consistent.

From a workflow perspective, it has definite advantages as the edited image appears back in On1 complete with all my keywords and other tagging that I use, so it is one less step to have to do to organize things.

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A precocious leopard cub exploring a fallen tree over a swamp.  Londolozi, May 2017.
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This magpie shrike was a perfect candidate for a monochrome treatment, being a black and white bird.  The acacia thorns and blue sky in the background did little to enhance the image.
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An African Wild Dog on a pathway through the Khwai region of the Okavango Delta.

Wishing everyone a great week ahead!

 

2018-04-23: Monochrome Monday

Such an amazing animal to spend time with on safari.  The social dynamics of the wild dog packs are fascinating to watch, though if they are on the move, it is nearly impossible to keep up with them.  This pack member looks on while some other members were starting to get up and ready themselves to set off.

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African Wild Dog – Okavango Delta, Botswana.  May 2017.

2017-09-10: WPC Waiting

The photo challenge theme for this week is waiting… showing the moments before the action.  Many of the wild animals that I love to watch so much are incredibly masterful at waiting.  Lions lounge around most of the day conserving energy, and then only truly pursue a hunt when the prey is in the correct range.  Leopards and cheetah are much the same.  Spending time on safari, you must learn to be comfortable with waiting as well.  More often than not, you’ll be spending time with animals while they are in their waiting periods; it’s certainly not all action with cheetahs taking down gazelle at full speed like you see on the wildlife documentaries.  But even so, there’s no other place I’d rather be 🙂

I hope you enjoy my take on waiting.

 

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One of the wild dog pack members, watching the road and awaiting further instructions from the pack leader.  Botswana, April 2017.
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A leopard pauses on his afternoon rounds, listening perhaps for the sounds of other leopards nearby, or prey is the distance.  He was very deliberate in his patrol, often pausing to listen, then make a slight correction to the direction he was heading.  Botswana, April 2017.
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A lioness looks off into the distance, towards a herd of impala and zebra.  She’s wasn’t making a move at this time, as the herd had spotted her, and pursuit would have been futile.  Much better to watch, and wait.  South Africa, May 2017.

 

Please visit:
www.jennifersawickyphotography.com for wildlife, landscape and nature inspired artwork.

and

https://shopvida.com/collections/voices/jennifer-sawicky for textiles inspired by my photography.

 

WPC: Waiting

2016-04-09: WPC Future

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The heavily pregnant alpha female of a wild dog pack pauses while the rest of the pack played and lounged just out of the photo. The pack denned at Ngala and I believe she had a litter of 18 puppies. For the future of wild dogs, successes like those are definitely needed. May, 2015

 

WPC: Future

Wild Dogs at play

My first trip to Africa, I was lucky enough to see a pack of wild dogs, and we spent a short amount of time with them while they lazed away a hot afternoon under the trees.  This trip, I spent a great deal of time with the pack, as we tried to monitor them twice a day; first thing in the morning as they were settling in for their days rest, and then in the late afternoon as they set out on the move.  This much time in close proximity of the dogs gave me ample opportunity to witness a variety of pack dynamics and behaviours.  Watching them play was definitely one of my favourite moments with them.

One of the dogs rolled in the dirt for ages, kicking up quite the dust storm. 1/1250 sec, f7.1, ISO 1600
One of the dogs rolled in the dirt for ages, kicking up quite the dust storm.
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Time for a headlock! 1/1250sec, f7.1, ISO 1600
Time for a headlock!
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A pair of dogs wrestle on the road, while another member tries to catch up on sleep. 1/500sec, f5.6, ISO 1600
A pair of dogs wrestle on the road, while another member tries to catch up on sleep.
1/500sec, f5.6, ISO 1600

wildlifeact.com

zimanga.com

Zimanga Game Reserve with Wildlife ACT

Since Monday I have been at Zimanga Private Game Reserve as a photographic volunteer with Wildlife ACT.  The primary focus on this reserve is monitoring and tracking wild dog and cheetah.  While the cheetah has remained elusive thus far, I have had the opportunity to spend some time with the pack of six wild dogs.  I’m having a brilliant time.  As it is very soon time for the afternoon monitoring session, this post will be brief; I wanted the chance though to share a few photos from the past days, as a hint of what is to come.

A bull elephant heading straight towards us on the road, while we drove in reverse!  He was completely cool with our presence, but was also on a mission along that road, so we had to get out of his way. 1/320sec, f8.0, ISO 200
A bull elephant heading straight towards us on the road, while we drove in reverse! He was completely cool with our presence, but was also on a mission along that road, so we had to get out of his way.
1/320sec, f8.0, ISO 200
A juvenile brown snake eagle. 1/1000sec, f6.3, ISO 200
A juvenile brown snake eagle.
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A member of the wild dog pack eyes us; we woke them from their afternoon nap. 1/160sec, f9.0, ISO 200
A member of the wild dog pack eyes us; we woke them from their afternoon nap.
1/160sec, f9.0, ISO 200
A pair of waterbuck, moments before they bolted for safety away from our gaze. 1/500sec, f8.0, ISO 1000
A pair of waterbuck, moments before they bolted for safety away from our gaze.
1/500sec, f8.0, ISO 1000
A giraffe in front of a jacaranda tree. 1/640sec, f10, ISO 400
A giraffe in front of a jacaranda tree.
1/640sec, f10, ISO 400

 

http://zimanga.com

http://wildlifeact.com