I found a few more images that were similar to do some side by side editing between Lightroom and Capture One Express for raw processing. I continue to be impressed with the colour and detail that Capture One brings out of my Fuji files.
The first is a leopard image from Lion Sands River Lodge, edited with Lightroom.And here is the same leopard using Capture One.
I edited these photos on different days and didn’t cross check to try to make them look the same, but just to bring out the best in them. I think the colour rendering is nicer on the Capture One version as it has less of a magenta cast, and generally it feels to me a bit richer with more depth.
This was shot at Chitwa Chitwa, when the Torchwood pride moved through the property early one morning. This was done with Lightroom.This is a single lioness from the same pride, edited using Capture One. Again, I prefer the Capture One edit for the richness of colour.Finally, a sunrise image shot while at Lion Sands Tinga Lodge. This first image is the Lightroom edit.The same sunrise edited using Capture One. And three for three, I prefer the colour and depth in this image to the Lightroom edited image.
Because I need to keep the file sizes manageable for the webpage, some of the differences that I see when looking at the images within the editing programs doesn’t reflect in the versions I post online, but, I think these give a good example of what I am experiencing with this new (to me ) software.
I had an email from Fuji a couple of days ago advertising a new version of the free Capture One Express software, and decided to download it and give it a try. Since I can’t go anywhere to take photos, playing around with new software at least gives a different spin to what I have already been looking at for some time.
I’ve been pretty unsettled with my photo workflow; I used Lightroom for years, then switched to On1 Photo Raw, and then switched back to Lightroom. I have other photo software as well, such as Topaz Studio and Luminar, but found that neither suited my purposes as my basic editor, though both have their place as a secondary editor through Photoshop.
I’ve watched a 7 minute quick start video on Capture One and then decided to edit a couple images using that as my starting point, and a couple others from the same area in Lightroom to see what the difference would be. While the Capture One Express lacks some key features such as spot removal and watermarking capabilities, there are other options to do those tasks. What I was really interested in was what software made the images look the best they can. From my very brief test, it looks like it will be worth the time to explore Capture One in much more depth.
These images were all taken at the Potholes on the Panorama Route in South Africa. It’s an area with beautifully red tinted rocks and lots of small waterfalls. We were there just before noon so there were lots of deep shadows in areas and very high contrast.
One of the canyons, edited using Capture One Express.A very similar image, edited using Lightroom. I personally think the depth of colour is more pleasing in the Capture One version.
These next two images weren’t in the exact same area, so there were actual differences in the colour tone of the rocks, it is not just an element of the processing software.
This image was edited in Capture One, and again the colour tone seems more vivid and true to life. Note I didn’t add any additional colour saturation to this image.This image was edited using Lightroom, and the tone of the rocks here is naturally more subdued, but I still feel like the Capture One software brought more to the image than Lightroom did.
Comparing only two sets of images is definitely not enough to formulate any type of solid opinion on a new (to me) software product, but the results have me really excited to play around and see what I can create. Capture One Express, at first glance, has a much larger selection of Fuji film simulations compared to Lightroom, and I really like the look they give an image to start the editing process. For both of these images, I selected “Film Standard” curve in conjunction with the ICC profile that was pre-loaded for my camera.
Sometimes there are a lot of vehicles all trying to see the same thing, and rangers operate on a first come, first served basis at a sighting, (usually a maximum of three vehicles) and then everyone else puts their name on a list. It’s always been my experience that all the rangers involved do their very best to maximize the viewing for their guests, while still being fair to try and allow everyone to opportunity to have a view. In this situation, we were pretty far down the list on this sighting that happened during afternoon drive, and we were all hopeful that perhaps we would get a glimpse of a leopard before nightfall.
The groups before us only saw the mother leopard. They knew the cub was somewhere in the thicket, but it wasn’t interested in making itself seen at that time. Harley, our guide, navigated our vehicle to the best spot he could find, and after the other vehicle that was there cleared off, the cub popped its head out of the bushes and made its way down to spend some time with Mom. We had a short while enjoying the sighting, and then a second vehicle came along to also get a quick view of the leopards before nightfall. I think it was the second vehicle that spooked the cub back into the thicket, so our vehicle ended up being the only one to see both mother and cub during that sighting. We headed off to give the other vehicle the best viewing spot, and enjoyed a sundowner a short while later.
I was so fortunate to see loads of rhino during my last trip to South Africa, including numerous youngsters alongside their Moms. One of the best sightings, which I didn’t get any photo or video of, was a young calf at dusk whining and crying at its mother trying to get milk, but she was laying down having a rest and wasn’t giving in. Everyone on the vehicle was having a good laugh listening to the antics as it quickly grew dark.
This pair was incredibly relaxed with our vehicle nearby, peacefully grazing and gong about their business.
I spent part of my last game drive at Chitwa Chitwa with a gorgeous male leopard called Hosana. I don’t often have time to catch any of the virtual safari shows that are shown on Twitter or Facebook, but one of the times I did check in briefly, before my last trip, he was featured, so seeing him “in person” so to speak was quite cool. Kind of the same feeling I get when I watch a nature show filmed somewhere I’ve been, and I actually recognize a landmark; a little point of connection to a place far away, but close to my heart.
Getting three images edited today doesn’t seem like much, but it was more than I had anticipated I would be able to do, so I’ll take it.
I was just looking at my calendar and realizing it is only 6 weeks now until end of term. Then, I can spend a day lazing around around these lions. Until then, work / school / repeat.
I’ve come to the end of the photos I flagged from Kenya to revisit, and finish things off with a few of my very favourite animal.
The tree in the background was a favourite of the elephants passing through. They were all stopping to have a good scratch, and if any individual stayed too long, they were given a little to shove to get going from the next one in line, which is what had just happened here.
An evening drinks stop in Selenkay Conservancy, glass of wine in one hand, camera in the other, and a lone elephant having a drink at the waterhole. Of course the time of day and lack of tripod created some challenges, but the image bring back happy memories and that’s all that really matters.A small family group, part of a much larger herd moving through the conservancy.
