I was going to post some of these images on Wednesday last week for a wordless Wednesday post, but I was having a few site issues, and just didn’t have the patience to wait while WordPress loaded slowly. So instead, I’ve gone through my images and found a few more hummingbird images and am sharing them all today.
While I was in Southern California, I enjoyed my morning coffee on the patio, and loved watching the hummingbirds fighting over the best spots at the feeders and various flowering bushes. I also noticed how chattery the Costa’s hummingbirds are. They spent a lot of time singing from the branches of the bushes in the garden. The link below is the All About Birds page for the Costa’s hummingbird, and you can hear what they sound like there.
This is a topic I haven’t done in a while! I’ve been trying to keep my camera close, as there is such an abundance of birdlife in my yard at the moment. It can be a bit challenging though, with the days being so short, and we’ve had a lot of overcast days recently. But even when the light isn’t great, it’s still awesome to have camera in hand.
I must apologize for the lack of posts over the last couple of weeks. I hadn’t intended on taking any time off the blog in the run-up to Christmas, but time just got away from me.
Christmas Day saw a very unusual visitor to the bird feeder – a Blue Jay. To those on the east coast I’m sure that doesn’t sound very exciting; but they are considered rare in my area, and I’ve not seen one since I was a kid growing up in Ontario, so I was thrilled. The jay was very skittish though and while I have seen it a few times over the past couple of days, they are usually blink and you’ll miss it moments. All I have to show for it are some fuzzy shots through my office window, but at least I have proof that it was here.
We’ve had a fair bit of snow the last few days, and it’s been very busy at the feeders; chickadees and nuthatches, flickers, downy and hairy woodpeckers, gray jays and even a visit from the magpies that I generally only see a couple streets over from where I live. The ruffed grouse has also been around quite frequently. I’ve been battling a bug with a nasty cough so I haven’t been outside much with my camera, but I did manage to capture the magpie and the grouse. Now that I am starting to feel better I am hoping to get out and capture more of birds in the yard, and perhaps with any luck the blue jay will make another appearance.
While I had the opportunity to edit and share images from my night sky workshop in October and some older images as well, I didn’t actually have the chance to get out and shoot the night sky in November, so I guess the topic of the month was a bit of a fail. There is always another night to get out, and now that we are into the very short days of winter, I don’t have to stay up too late to do so. Fingers crossed I can get out and get some local images…. maybe even some aurora shots if the stars line up 🙂
What’s new this month?
I’ve come to the realization this month that in 2018 I’ve done some really deep dives into editing in lots of different ways, but I’ve really not spent much time out shooting, which feels like a real missed opportunity, and something that I need to amend moving into 2019. When I do get out with my camera I quickly get into the zone and find it such an enjoyable activity, that I really need to prioritize it more.
5 favourites – November
What’s coming up next?
I’ve decided not to have a specific topic of the month in December. The month always slips by in such a whirlwind of activity and family time that I would rather just share when I can, and explore what interests me at a given moment, than trying to fit into a specific topic. I’m also going to spend some time thinking about topics and projects for 2019, which is coming up so soon.
I was busy working last week and something caught my attention outside, out the corner of my eye. I spotted this gorgeous barred owl in a tree in my backyard, and rushed to grab my camera to take a quick photo through the window.
I decided to take a chance and dash outside and hope to get a better shot. The owl gave me a quick glance, let me snap 3 photos, and then was off, deep into the forest.
I love when beautiful creatures like this decide to make a stop in my yard 🙂
As mentioned last week, I decided to go with bird images for my last round of editing images with On1 Photo Raw, Topaz Studio and Luminar, seeing how the results compare with the different software choices. I thought bird images would be a great choice because there are lots of fine details in feathers that need to be enhanced, and often things like distracting backgrounds that need to be minimized.
In very broad strokes, I’ve come to realize editing an original image in Topaz Studio that requires colour correction is not something I enjoy doing, and not something I will try to do moving forward (until they provide some updates to that portion of the interface). I don’t find that the colour temperature slider works well enough to deal with complicated colour scenarios, and I can get much better results using On1 Photo Raw, or even Luminar.
The first images I picked are of a purple roller that I spotted on the banks of the Boteti River in Botswana. I decided to edit original images in each program, rather than correcting colour first in On1 Photo Raw and editing the resultant images. For a series of images, it’s obviously not a good strategy, but I really wanted to see the different colour rendering and how well I could adjust the images. The results are mixed.
Next up are some wattled cranes, also seen along the banks of the Boteti River while staying at the fabulous Leroo La Tau camp. While these images were all shot on the same morning, the light was changing very fast and the birds were moving around relative to our vehicle, so some images were shot into the sun and others with the sun at my back. Wattled cranes are listed as a vulnerable species; our guide Calvin had been so excited to see a group of this size while we were out on game drive.
Up next are one of my favourite birds, the beautiful lilac breasted roller. Unlike the purple roller, I have seen this bird on all my trips in Africa, and have gotten a few really good shots over the years.
These roller images are the best ones for comparing the software, since the bird is fairly close and the light unchanging. I am finding the version from On1 looking a little crunchy when compared to the other two, and the Topaz version lacking a little bit of contrast. I think I was able to bring out the colour and tones the best with Luminar on this particular image. I found Topaz was able to bring out a lot of fine detail in the feathers without making the image look crunchy (it’s hard to see on a web sized image, so you’ll have to take my word for it). I think the On1 version could have done well with backing off the tonal contrast a couple of points; though if that version had been posted in isolation, I would be very happy with it.
I started getting some editing fatigue looking at so many similar images, so I decided for the last few, I would just pick a few one-off bird images, and edit one of each in the various programs.
There are pros and cons to each of the programs; Topaz and the colour correction issues I have been having, Luminar with the lack of adjustable luminosity masks, and with On1, I don’t find the noise reduction function is a good as some other options. But saying that, all the options are robust programs that have a lot of great features, it’s just a matter of learning how to use the tools to your best advantage. I don’t feel like I am in any type of editing disadvantage by choosing to use these software options over the more common Lightroom and Photoshop scenario (that I also used for several years).
From these editing immersions and comparisons, I think I am a getting a little closer to knowing where all these options fit into my workflow.
I’m still doing my month of Topaz Studio editing, and decided on a different approach for the images today. I did the initial colour and tone correction in On1 Photo Raw, and then sent it over to Topaz Studio for further editing. I did that because the first image shown, of the leopard cub, was rendering so flat in Topaz Studio as a raw file that it would have taken a lot of work just to get it back to a place to start editing. I figured I would do the same for the other images, just to keep things consistent.
From a workflow perspective, it has definite advantages as the edited image appears back in On1 complete with all my keywords and other tagging that I use, so it is one less step to have to do to organize things.
So far I have been concentrating on learning to effectively use Topaz Studio for standard editing, like I would do through On1 Photo Raw or Luminar. I still have a ways to go to figure out exactly how this would work into my regular workflow, but I decided to do a departure this week and play around with photo art instead. I watched a few tutorials during the week and one of them featured a new (to me) adjustment called AI Remix. The effects that the presenter was creating looked really interesting, so that’s where my focus has been this week, along with the more familiar to me adjustments through impression and simplify.
This first image was shot with my Panasonic camera whilst in Botswana, and it was after the sun went down so the image was incredibly dark and noisy; completely unusable as a regular photograph (just being 100% honest). But, I loved the posture of these two bull elephants jostling in the shallows of the Boteti River, and knew I could make something fun with the image, even if it wasn’t an something that I would traditionally mark as a keeper.
This next image is of a goliath heron. I wanted to simplify the details without losing all the texture and pattern of the feathers, and bring out colours and tones that reminded me of old film images. The result looks like a cross between a painting and a snapshot from an old point and shoot camera, but for me the image works. Perhaps because it brings back memories of the type of pictures I would see around cottage properties when I was younger.
This last image is bit hectic, but it fits with the subject, the amazing African Wild Dog. The combination of adjustments I used diffused the background significantly, but in doing so brought out repeating patterns of triangles in the vegetation which corresponds with the triangular shape of the dog’s ears. It almost feels like the dog rushed through a huge pile of fallen leaves and quickly laid down, while the leaves slowly drifted back down to the ground.
Creating painterly images or abstracts from photos isn’t everyone’s cup of tea, but it is something I enjoy playing around with once in a while. Topaz Studio definitely provides a lot of different options to use to create these types of images. Because I own the Topaz plug-in collection, I have access to a lot of these tools that aren’t available within the free portion of the software. The AI Remix adjustment is one that I currently have on trial, and it’s something I would need to experiment more with to figure out if it is a tool I’ll want to have available once the trial period is over.