I’m still doing my month of Topaz Studio editing, and decided on a different approach for the images today. I did the initial colour and tone correction in On1 Photo Raw, and then sent it over to Topaz Studio for further editing. I did that because the first image shown, of the leopard cub, was rendering so flat in Topaz Studio as a raw file that it would have taken a lot of work just to get it back to a place to start editing. I figured I would do the same for the other images, just to keep things consistent.
From a workflow perspective, it has definite advantages as the edited image appears back in On1 complete with all my keywords and other tagging that I use, so it is one less step to have to do to organize things.
A precocious leopard cub exploring a fallen tree over a swamp. Londolozi, May 2017.This magpie shrike was a perfect candidate for a monochrome treatment, being a black and white bird. The acacia thorns and blue sky in the background did little to enhance the image.An African Wild Dog on a pathway through the Khwai region of the Okavango Delta.
So far I have been concentrating on learning to effectively use Topaz Studio for standard editing, like I would do through On1 Photo Raw or Luminar. I still have a ways to go to figure out exactly how this would work into my regular workflow, but I decided to do a departure this week and play around with photo art instead. I watched a few tutorials during the week and one of them featured a new (to me) adjustment called AI Remix. The effects that the presenter was creating looked really interesting, so that’s where my focus has been this week, along with the more familiar to me adjustments through impression and simplify.
This first image was shot with my Panasonic camera whilst in Botswana, and it was after the sun went down so the image was incredibly dark and noisy; completely unusable as a regular photograph (just being 100% honest). But, I loved the posture of these two bull elephants jostling in the shallows of the Boteti River, and knew I could make something fun with the image, even if it wasn’t an something that I would traditionally mark as a keeper.
For this image, I did some basic adjustments first to brighten the image and remove some of the noise, and then played around with a combination of AI Remix (Platinum Rose) and Glow. For me, the posture of the trunks was the most important element of the image, and I feel the boosted saturation of greens and oranges behind the elephants really helps to showcase their shapes.
This next image is of a goliath heron. I wanted to simplify the details without losing all the texture and pattern of the feathers, and bring out colours and tones that reminded me of old film images. The result looks like a cross between a painting and a snapshot from an old point and shoot camera, but for me the image works. Perhaps because it brings back memories of the type of pictures I would see around cottage properties when I was younger.
A goliath heron spotted along the banks of the Boteti River in Botswana.
This last image is bit hectic, but it fits with the subject, the amazing African Wild Dog. The combination of adjustments I used diffused the background significantly, but in doing so brought out repeating patterns of triangles in the vegetation which corresponds with the triangular shape of the dog’s ears. It almost feels like the dog rushed through a huge pile of fallen leaves and quickly laid down, while the leaves slowly drifted back down to the ground.
Creating painterly images or abstracts from photos isn’t everyone’s cup of tea, but it is something I enjoy playing around with once in a while. Topaz Studio definitely provides a lot of different options to use to create these types of images. Because I own the Topaz plug-in collection, I have access to a lot of these tools that aren’t available within the free portion of the software. The AI Remix adjustment is one that I currently have on trial, and it’s something I would need to experiment more with to figure out if it is a tool I’ll want to have available once the trial period is over.
Such an amazing animal to spend time with on safari. The social dynamics of the wild dog packs are fascinating to watch, though if they are on the move, it is nearly impossible to keep up with them. This pack member looks on while some other members were starting to get up and ready themselves to set off.
African Wild Dog – Okavango Delta, Botswana. May 2017.
To start the week, and African Wild Dog at the start of a hunt. We had been spending time with the pack as they lounged in the shade, and quite suddenly they made the decision to set off. They dispersed incredibly quickly, and following them through the tall grass was a losing battle. Thankfully, there were two or three more opportunities to spend with the pack during this particular stay in the delta.
During this month of revisiting old work, I’ve had the opportunity to take many trips down memory lane, remembering amazing moments in nature and the challenging times trying to work out what to do with my camera to make the image that appeared on my LCD match the thought I had in my head.
What this monthly topic has hammered home is that the gear doesn’t matter, its what you are able to do with it. The software used to edit images doesn’t matter, its understanding how to make the tools work for you in the best ways possible. These things get said time and time again, but they really become apparent when you start reviewing a collection of work gathered over time that has been captured and edited with a variety of different resources.
No one looking at my images is going to say “You shot that on this camera body and then you edited it with that software program. There are times when I have been out shooting with more than one camera and once the images have been uploaded to my computer, I don’t know which image was shot with which body, without checking the info panel!
At the end of the day, the only thing that should matter is if the image moves you in some way.
And with that, here are a few images I have reworked this week. I hope you enjoy, and please check back next Sunday to find out what the topic of the month will be for March.
A rhino with her calf seen while doing volunteer work with Wildlife Act in 2014.Not a spectacular picture, but a fun memory for me. I took a day off work and went out shooting for a school project I was working on. It was a fine fall day so I took Spencer with me, and he was overjoyed at having the opportunity to dig in the sand next to the river. October 2013.My first foray into Botswana included viewing elephants in the water from a boat. An amazing experience! April 2013.For my then and now image, I chose this wild dog lounging in the shade, seen while working with Wildlife Act in 2014.Here is the now version of this image. I think I was much better able to highlight the texture of the fur compared to the original edit.
