2018-12-10: Monochrome Monday

I think elephants look stunning in a black and white interpretation.  The amazing texture of their skin gets emphasized in such a wonderful way.

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Lots of wrinkles, and wise eyes.
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An old bull elephant enjoying a drink in Etosha National Park.
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This elephant gave us one head shake, but when she realized the rest of the family was completely chill with our presence, she went back to calmly grazing.

2018-12-09: Artistic Impressions

This week, I felt inspired to play around in Topaz Impressions and create some of my artistic impression images.  Or as I like to say, what I would paint, if I could paint :).

Next week, I am going to try and work with the new AI Sky Enhancer that Luminar just released.

Wishing everyone a fantastic week ahead!

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A young elephant seen on an early morning game drive.
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A leopard scanning the horizon at sunset in the Okavango Delta.
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A regal lion laying in the tall grass just after sunrise.
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A large warthog moving through camp.
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A fiery sunset – Africa has the most expressive skies!

2018-10-29: Monochrome Monday

I met a friend for a tea and a visit last week, and as she also feels a connection to elephants, I started telling her about the elephant encounter I had on the last day of my last safari trip.  Since I still had a few flagged images from that sighting that I wanted to edit, I thought they’d make a great post for today.

I posted a bit of the story of these elephants before, which you can check out here if you’d like, along with a couple more images.

I hope you enjoy my selection of images, and hope you have a wonderful week ahead.

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A tiny elephant calf dwarfed by Mom and an aunt.
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One of the youngsters coming up to the vehicle to check me out.
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An elephant calf enjoying a fresh drink of water from a burst landscaping pipe.
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Adults and youngsters all jockeying for position around the water.  The littlest seemed to be trying to do a balance beam routine on the small log, and nearly tipped over just after this was taken.

 

2018-01-01: Monochrome Monday

A group of bull elephants on the banks of the Boteti Rover in Botswana.  These males had come down from Nxai Pans to enjoy the water and the lush vegetation around the river, as the seasonal pans dried up.  We watched this group cross from one side of the river to the there, stopping part way for a bath and then a wallow in the mud at the edge of the river, before carrying on their way.

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Elephants along the Boteti River.  Botswana, May, 2017.

2018-09-30: Topaz Studio Week 4

My month of Topaz Studio is coming to a close.  As with my month of Luminar, taking this time to dive into the program has left me feeling a lot more confident using it, and now it is another tool in my photo editing toolbox that I can use to bring out my vision in the images I have created.

Rather than focus on one specific thing for this post, I wanted to share some of my favourite things about the program.

Bringing out amazing contrast and detail

Back when I used Lightroom and Photoshop, Topaz Detail and Clarity were plugins that I would use when I wanted to highlight texture, especially in feathers and fur.  The precision contrast and precision detail adjustments are the same tools found in detail and clarity, though they are still available as the plug in versions or as clarity and detail in studio, which give access to all the fabulous presets that those programs had.  On this cheetah image below, I decided to use the precision contrast and detail rather than the in studio version of detail and clarity.  Since these are sized for the web, some of the fantastic texture of the fur may be a bit lost, but it is definitely there.

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Prior to editing, this cheetah doesn’t look bad, but not great.  Keep in mind that this is a raw image and no matter what, it needs some editing to look its best.
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Using Topaz Studio, I was able to use precision detail and contrast to really highlight the beautiful texture of fur on this cheetah.  Cropped for composition and the usual colour correction adjustments completed as well.

Creating my artistic impression images

I’ve always enjoyed the Topaz Impression and Simplify plug-ins, allowing me to create painterly and whimsical effects to my images.  Sometimes over to the top, sometimes subdued, those programs allow me to create something different with my images, and I love the flexibility they give me.

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A bull elephant crossing the Boteti River to join other members of the bachelor herd that had congregated on the other side earlier in the day.   This version was created in Topaz Studio using some of the adjustments, and then working in Impression in Studio until I had the dreamy feel I was looking for.

Quickly reviving lost detail

I think my favourite discovery in the Topaz Studio program has been the AI Clear adjustment, and it is one I am absolutely going to purchase to make sure I have it available to me.  Many times I find myself out and about with a great scene in front of me, or a moment I want to remember, but the light is fading or there are deep shadows or perhaps fog (sometimes all of the above).  I have found that the AI Clear adjustment can really get images like these back from looking grainy and soft, to full of detail and life.  It’s just one step in the editing process, but it certainly is a powerful tool.

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The unedited version of Wild Dogs in the Okavango Delta.  This group was far enough from the vehicle that I was shooting at 300mm.  Knowing how quickly the dogs move about, I shot at f11 and 1/800 sec to try and keep as much of the group in focus as possible, and freeze the motion.  These choices meant I was at ISO 6400, leaving a lot of noise in the image.
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Cropped for composition purposes, and then edited in Topaz Studio.  I used quite a few adjustments, but I still had the image finished to my liking in only a couple of minutes.  AI Clear did a good portion of the work at the start of the editing process, tidying up the noise and bring back detail to the eyes and the fur, especially to the alpha pair that are on the far left.

I have really been loving the ease of adding my watermark to my images; it is certainly less cumbersome than that current way I have to do so in On1.  One of the drawbacks I have found with Topaz Studio is not being able to resize and export directly from the program.  It means that for images being posted to the blog or my Instagram page, they always need a round trip back to On1 in order to be resized and exported.  Not a deal breaker at all, but just adding an extra step to the process.

If you don’t have it already, I would absolutely recommend downloading Studio and trying it out.  Given that the program is free to use with several adjustments, and there are 30 day trials for all the others, there really is nothing to lose (except maybe a little space on your hard drive) to give it a go.

I hope you’ve enjoyed my take on the program.

Wishing everyone a great week ahead!

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