Category: Africa

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2018-09-02: Leopards in Luminar

I mentioned in my post last week that I would concentrate on using Luminar in Windows for the balance of the month.  I missed getting this posted before the end of the month, but still wanted to share the images and my thoughts on Luminar in Windows.

First off, thankfully the clone and stamp issue that I found the first time I opened my version of Luminar in Windows had been corrected once I updated the software.  Basically what was happening is the clone and stamp layer would appear to work normally, but then would disappear once you clicked done on the clone and stamp module.  A bit frustrating, so I am glad that is no longer an issue.

I had read in a few blogs that there were a couple fewer filters on the Windows version; I didn’t count them myself and never found I was missing a tool I wanted to use, so that’s definitely not a concern for me.  The one thing I really enjoyed was using the touchscreen for creating masks; my Windows machine is a Microsoft Surface complete with the Surface Stylus.  What a huge difference using that made in terms of accuracy.  I never transferred my logo file to my Windows machine, so I had to open up the edited files on my Mac to add a logo and then export.  I didn’t have any issues with using the files on different systems, which is a good thing as I don’t see leaving my Mac as my main editing machine any time soon, but it does mean that I can work on the road and transition to home in a fairly seamless way.

I’m going to say for my editing purposes, there really isn’t any difference between Mac and Windows for using Luminar.  Others may have a different experience, but I didn’t have any issues.

I decided on leopard images as I knew I had some that had some with contrast issues,  some wonky colours to deal with and an images where I would need to test the clone and stamp.  And Leopards in Luminar just has a nice ring to it, don’t you think?

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A leopard cub explores the bottom of a ravine.  This image had some serious contrast issues due to the deep shadows and very bright mid morning sun.  I am happy with the way this turned out.
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A mama leopard carrying her cub to a new den site.  This image had some strange colour casts, and despite being able to correct it in Luminar, I tried a black and white filter and much preferred the result.
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This is definitely not the look you want a leopard to be giving you. This mama heard another leopard calling nearby, and was not at all pleased.  There weren’t too many issues with this image but it did need detail enhancement to be applied carefully so as not to accentuate the noise in this early morning, shady, high ISO shot.
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A leopard perched in a tree at sunset in the Okavango Delta.  This image had some need of the clone and stamp tool; I don’t know if it was a sensor spot or a bug, but there was something that was very distracting in the blue sky that I had to get rid of.
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2018-08-26: Elephants edited with Luminar

Since it has been far too smoky to get out shooting, I decided I needed a theme for my Luminar editing this week, and I decided on elephants (surprise!).  I’ve not watched any more Luminar tutorials this week, but I have decided for the balance of the month I am going to search out resources on Luminar for Windows, as the program is a bit less advanced than the Mac version.

I actually tried to edit an image on my Windows computer using Luminar, but got frustrated with a clone and stamp issue and gave up.  Currently, I’m letting that computer download the latest update while I write this, so perhaps the issue will be resolved with the latest version.

Editing elephant images has given me a chance to work with a variety of tools to bring out texture and contrast.  An elephant’s wrinkly skin is such a wonderful feature, and raw files really need to be worked with to bring that back to life.  I’ve found that Luminar does an excellent job with this, but you definitely need a gentle hand with the adjustments as they can go up to 11 very quickly.  The other feature I am enjoying on Luminar is the Accent AI slider.  It analyzes an image and tries to adjust automatically for exposure, contrast, clarity, saturation… but like the filters that affect details, I find it it needs to be used with a gentle touch, otherwise the image starts to look overdone.

I hope you enjoy my selections for the week.  Wishing everyone a great week ahead.

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One of the desert adapted elephants in the Hoanib River bed.  Namibia, April 2017.
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A pair of elephants checking us out before heading down to drink.  Phinda Game Reserve, May 2017.
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Seeing double – a pair of juvenile elephants along the edge of a dam on Phinda Game Reserve.
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This bull was not particularly pleased with our presence, and shot out a blast of air from his trunk, sending sand up all around him, like confetti.  We were driving on the airstrip to give him lots of space on the road, but we certainly didn’t stick around any longer, as he was in musth and we didn’t want to chance annoying him any further.
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This young lady couldn’t have been more different to the bull elephant above.  We were parked on the roadway and she approached us and then just chilled out along the side of the road, waiting while the rest of her family had a drink from a broken water pipe.
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2018-08-21: Flamingos – Before and After

I had flagged this image to include with my Monochrome Monday post yesterday, but when I started editing this in Luminar, I was so impressed with the transformation, I thought it would make for a good before and after post.

These flamingos were far away; I had the Panasonic at full 400mm zoom and they still are really small, so I shot this mostly as a proof image.  With a digital camera, there is little downside to snapping a photo or two even if you don’t think they will be great.

At least you have a record of what you saw, and it might actually turn out okay.  Needless to say this isn’t getting printed to hang on my wall, but it is a great example of how far you can recover a rather drab image.

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Here is the before image, even before straightening the horizon.  It almost pains me to post a shot that crooked, but before means before any editing.

As I said, I brought this into Luminar planning to include it with my black and white shots, but all it took were a few sliders to bring to colour and texture of the image back to life.  

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I saved a split shot with the before and after (I really like this view option, I find it much more helpful than toggling before and after on and off).  You really get an idea of how flat and lifeless the image was out of camera, and how much detail and colour be recovered.

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I edited this in under five minutes, so it definitely wasn’t a big time investment to play around and make this image the best it could be. 

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2018-08-20: Monochrome Monday

I was inspired by my post yesterday on white balance to continue editing images from my time at the Skelton Coast in Namibia.  Given the flat light in a lot of the images, I thought black and white edits might be a good option.  I am quite happy the way the turned out.

All of the images from my time at the coast were shot with my Panasonic FZ1000, which I have mentioned before is a great and capable camera, but sometimes the quality is a bit lacking when comparing to the files I got out of my Nikon or that I now get from my Fuji.  But these were shot at the start of a long trip and I thought it would be wise not to subject the Nikon to blowing sand, given its terrible habit of picking up dust particles.  So, I’ve done the best with what I got that day.

 

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Ripples in a sand dune leading down to the ocean.  All images April, 2017 during a trip to the coast from the Hoanib Skeleton Coast Camp.
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A group of seals perched on a rock.  The seal colony had a smell that was out of this world (and not in a good way).  We were all grateful our vehicle had windows, and we kept them closed as much as possible.
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No image I took did justice to the number of seals in the water.  At least here one is jumping, so you know what all the other little black specs in the water are!
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A lone seagull on the fringes of the seal colony.  We had hoped we might see a brown hyena during our visit, but only saw remnants of their visits littered along the shoreline; they seemed spoiled for choice with all the baby seals.
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2018-08-19: Creative white balance

I recently watched a Luminar editing tutorial discussing technically correct vs creative white balance.  Since I am almost always shooting outside, in changing light conditions, I don’t have a shots with a grey card in it to actually come up with the technically correct white balance.  I tend to leave my camera on auto WB, and then adjust it as needed in post processing.  But the tutorial still got me thinking about the different mood and feel that an image can have, depending on the choice of colour temperature.

I decided to play around with this concept a bit with a few images that I took on the Skeleton Coast of Namibia.  We took a short flight from camp to the coast and took a drive through the dunes, where it was warm and sunny with clear blue skies, but once we were at the coast line, low cloud and fog swirled around in strong winds, causing subtle, but rapidly changing light conditions as we visited a seal colony, explored a few of the wrecks along the coast, and enjoyed a picnic lunch on the beach.

On a previous trip I had flown over a portion of the Skeleton Coast, and found the abandoned buildings and shipwrecks fascinating to see, so having the change to see some of the wrecks up close was really interesting for me.  The different colours and textures of the rusted, twisted metal against the natural sand, rock and water provided lots of options for photos.

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A portion of wrecked boat on the Skeleton Coast.  Here I chose to play up the blue of the background water and intensify the textures in the rusted metal.  I feel the cooler tone of this image intensifies the feeling of desolation I get from this image.
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Taking things in a different direction, this image is much warmer, as well as a bit faded and matte.  Combined with the subject, I think it lends a sense of age to the image.  You begin to wonder just how long this boat has been breaking apart on the coast.
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This image would be closest to a technically correct white balance, though given the changing light conditions, all of the images are representative of how the area actually looked at different moments throughout the day.  I thought this small piece of metal looked a bit like the blade portion of a ice skate.

 

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2018-08-13: Monochrome Monday

I’m a little later than normal with my Monochrome Monday post as I have been playing around with using the MacPhun (now Skylum) Tonality plugin with Luminar.  I must say, I am really enjoying using Tonality again!

Tonality was my go-to for black and white conversion when I was using Lightroom and Photoshop.  I found I could dial in the vision I was imagining much faster than using other black and white methods.  Now that I no longer have Photoshop, I am glad I have a way to integrate the plug-in back into my workflow when I want to.

I’ve started watching some Luminar videos on YouTube by Jim Nix, and one of them really resonated with me today.  It had nothing to do with the image or the edits he did, but just the concept of revisiting old work to re-edit photos, to experiment with new software, filters and combinations of tools to keep your creativity and interest peeked.  A lot of that is why I am enjoying this theme so much, as the lack of familiarity with the software has caused me to think a lot more critically about what I want to achieve, so I can figure out how to do it, but it has also allowed me to just open random filters to see what they do, sometimes to great result, sometimes awful.  If you are interested, you can find the Luminar video by Jim Nix here.

Now on to the images for today.

For this giraffe image, I did an extra step to start, and from Luminar opened Topaz Studio and then the Topaz Remask plugin.  I find Remask is excellent for complicated situations like these tree branches against the sky.  The sky was very grainy, and I wanted to apply some noise reduction, and I thought that would be the best way to go.  I shot this image with my Panasonic FZ1000, which is a very capable little camera, but I do find skies are generally quite noisy regardless of the ISO.  There was also a lot of airborne dust so it could have been that rather than a limitation of the camera.  After I created my mask in Remask, I ran the noise removal filter in Topaz Studio and sent the image back to Luminar, and then onto Tonality for black and white conversion.  If Luminar had an option to adjust luminosity masks so I could isolate the sky, I would have gone that route and saved some steps, but right now its not an option.

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Giraffe in the desert.  Hoanib Skeleton Coast Camp, Namibia.

Things were much simpler for the next two images.  I edited both using the Tonality plug in, though I am sure I could have arrived at similar results just using Luminar.  As with most photo editing programs, there are a lot of different paths to get to the same place.  It’s all about what works for you.

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A zebra calf photographed in Etosha National Park, Namibia.
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A black-faced impala spotted in Ongava Game Reserve in Namibia.  Our guide explained to us that any reserves that add impala to their property in Namibia must add the black-faced impala.  This was started as a measure to help conserve the species and allow them to thrive.

I hope you’ve enjoyed my selections for the day 🙂

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