Whilst in Namibia on my last visit, I travelled for a couple of days in the Etosha area. Being in the park itself is quite different to being on a private reserve, since there is no off-road driving allowed, but there was still a lot of great game viewing when driving around the park.
We were fortunate to come across a group of 3 young lion brothers, likely ejected from their pride within the past few months, as they had gotten to the age where they needed to be on their own. They still had the energy and playfulness of cubs though, chasing each other around a water hole. We were even more fortunate to be the only vehicle to being viewing these lions for the majority of the time that we spent with them, allowing us to get in a great position to watch them going about their day.
The weather this week wasn’t conducive to getting out and shooting at night, so I have worked through a few more of my images from Joshua Tree. When editing, one of the things the workshop instructor mentioned really stuck with me, and that is to really watch the saturation of star images. I really tried to keep things as natural as possible, although it can be fun to crank things up to 11 and see what happens 🙂 Maybe next week.
Planes overhead and lots of traffic heading for the park gates after the sun went down.The milky way rising over the Joshua trees.What are your thoughts on night sky images in black and white? I really like them personally, although there is a real risk of the image being way too dark.
While I was shooting with my main camera, I had set up my Panasonic camera on the hood of my car with a gorilla pod, and set it to take a series of images to make into a time lapse later. It didn’t turn out quite as planned, but I’ve included it here as it shows all the traffic from the parking lot, as well as other photographers. Since I was doing a time-lapse series, I didn’t have the long exposure noise reduction turned on, and I think the still images from the Panasonic really would have benefitted from having that done in camera.
This was the last shot I captured while my camera was set in time lapse mode.
For this week I worked on a few images from my time in California. Compared to my trips to Africa, I took relatively few photos, but I have a good number that I am interested in playing around with to see what happens.
I spent a lot of time outside relaxing with my camera nearby in case any interesting birds popped into the yard, but found myself also being drawn to the beautiful shapes of the palm fronds.
One of the things I picked up while away was an infrared filter for my camera, and I took it out and started playing around in Joshua Tree when my photo workshop was over. I have so much to learn about all the nuances of infrared photography, but even without doing the proper things, like setting a custom white balance, I am still happy with what I was able to come up with when converting the images to black and white.
I wish I would have written down which of the stops through the park this was; I was drawn to the wonderful boulders and all the desert plants and cacti that surrounded them.
I decided on the topic of the night sky for November, mostly because I spent an evening during my holiday at Joshua Tree National Park at a night sky photography workshop, and I have images I want to work through. Also, November may have some potential for night sky photos at home (since it isn’t too bitterly cold yet, and night is falling quite early, which is good for an early bird like me).
Just getting to the workshop proved to be quite an adventure. The night before, a rare thunderstorm rolled through the desert with heavy rain, and there were a lot of road closures due to small local mudslides. In the town of Joshua Tree, the main highway through town had over 6 feet of mud (and a buried Mini Cooper car) in the middle of the highway. When setting off in the morning, I headed toward the Cottonwood gate, planning to head up to the Oasis visitors centre through the park, but that gate turned out to be closed (and would remain so for several days to get everything cleaned up). Then there was a substantial backtrack to get back on the interstate and head to the other gate in Twentynine Palms, but through there I encountered more detours and terrible road conditions. I made it there in the end, albeit rather late and after the class had already started.
I headed back Sunday morning for the second part of the workshop, by then the main highway through the town of Joshua Tree had reopened. These are just some of the huge piles of mud that had been plowed along the side of the road.
Despite the crazy weather the night before, and threats of potential storms during the day of the workshop, the weather couldn’t have been more beautiful, with clear skies and just a few wispy clouds leftover. Besides the driving conditions to get to the park, the other downside to the weather was as the evening cooled, there was a lot of moisture still in the air, causing dew to form. I wasn’t worried about my camera (some of the people that were local, and not used to the moisture that I am, were quite alarmed) but it did mean that images started to appear soft and fuzzy later in the evening. Everyone packed up by about 9:30, because by that point it became impossible to get any clear images. Looking through my images, I can see a definite deterioration in sharpness as the evening draws on, but I still like the images from later in the evening, despite the softness.
Here are a few of the shots I have edited so far. I haven’t broken the habit of working in multiple editors, so I have images done in all of my programs.
We were set up in a day-use only part of the park, so there were a lot of people packing up to leave as we were setting up and taking images. The headlights and taillights of the vehicles provided some light painting on the foreground (though not always hitting all the areas I would have liked!) Edited in On1 Photo Raw.A joshua tree illuminated by car headlights, edited in Luminar.People moving to and fro with headlamps and flashlights. Image edited with Topaz Studio.The last image I took in the evening, with the milky way faintly decorating the sky and a plane moving through the scene.
Another month has come to a close. I think I am a bit like a broken record now, always saying I don’t know where the time goes and how the days pass by so quickly. There’s a chill in the air though and several windy days have rid the trees of all but the most persistent leaves. Autumn is on it’s way out.
October’s topic of the month
Over the month of October, I worked on using all three of my editing programs – On1 Photo Raw, Topaz Studio and Luminar, to compare and contrast the different programs and try to get a good feel for the strengths and weaknesses and in which situations the different programs shine. I didn’t really come to any strong conclusions, except for images shot at very high ISO, in which case Topaz is my clear choice (specifically being able to use Denoise 6).
What’s new this month
I had the chance to get away for a week and a half in the desert of Southern California, and opportunity to relax and recharge my batteries, and do a little bit of photography as well. While I was there, I took a night sky photography workshop in Joshua Tree National Park, and look forward to sharing images. I also had a chance to play around with my new infrared filter. There are a lot of nuances to infrared photography that I need to learn, but it was fun just meandering in the desert taking photos of cactus and seeing what happened.
5 favourites of the month
What’s coming up next?
For November, I am going to focus on the night sky. I have some images that I would like to share from California, and hopefully it will stay warm enough that I don’t have to bundle in too many layers to get out at home and capture a few images. Fingers crossed!
I met a friend for a tea and a visit last week, and as she also feels a connection to elephants, I started telling her about the elephant encounter I had on the last day of my last safari trip. Since I still had a few flagged images from that sighting that I wanted to edit, I thought they’d make a great post for today.
I posted a bit of the story of these elephants before, which you can check out here if you’d like, along with a couple more images.
I hope you enjoy my selection of images, and hope you have a wonderful week ahead.
A tiny elephant calf dwarfed by Mom and an aunt.One of the youngsters coming up to the vehicle to check me out.An elephant calf enjoying a fresh drink of water from a burst landscaping pipe.Adults and youngsters all jockeying for position around the water. The littlest seemed to be trying to do a balance beam routine on the small log, and nearly tipped over just after this was taken.
As mentioned last week, I decided to go with bird images for my last round of editing images with On1 Photo Raw, Topaz Studio and Luminar, seeing how the results compare with the different software choices. I thought bird images would be a great choice because there are lots of fine details in feathers that need to be enhanced, and often things like distracting backgrounds that need to be minimized.
In very broad strokes, I’ve come to realize editing an original image in Topaz Studio that requires colour correction is not something I enjoy doing, and not something I will try to do moving forward (until they provide some updates to that portion of the interface). I don’t find that the colour temperature slider works well enough to deal with complicated colour scenarios, and I can get much better results using On1 Photo Raw, or even Luminar.
The first images I picked are of a purple roller that I spotted on the banks of the Boteti River in Botswana. I decided to edit original images in each program, rather than correcting colour first in On1 Photo Raw and editing the resultant images. For a series of images, it’s obviously not a good strategy, but I really wanted to see the different colour rendering and how well I could adjust the images. The results are mixed.
First up is an image from Luminar. Despite desaturating the blues, the sky still looks a bit too blue and oversaturated. The roller was quite a distance away from me; all of the purple roller images were shot at 300mm, and I think Luminar brought back an acceptable amount of detail in the feathers. There’s only so much you can do with images of a small bird on a distant tree!This is the version from Topaz and try as I might, this was the best I could do with the sky. I find it has an odd colour cast, but I am happy with the detail in the feathers.This is the On1 Photo Raw image. I think the sky in this version is the most true to life. The focus seems a little bit off, but I only had these purple roller images to work with, so I made the best of it. This is the only time I have ever seen a purple roller, so despite the image series being far from perfect, I still wanted to edit and share them because they really are a striking bird.
Next up are some wattled cranes, also seen along the banks of the Boteti River while staying at the fabulous Leroo La Tau camp. While these images were all shot on the same morning, the light was changing very fast and the birds were moving around relative to our vehicle, so some images were shot into the sun and others with the sun at my back. Wattled cranes are listed as a vulnerable species; our guide Calvin had been so excited to see a group of this size while we were out on game drive.
First up is the Luminar version. You can tell from the white hot sky this was shot well after sunrise, and that the sun is already quite high in the sky. I think what I like best about this version is the shimmery effect of the grasses behind the cranes. There is a bit of a warm cast to the image, especially when compare to the On1 Photo Raw version.This Topaz version was shot earlier in the morning, with the sun at a more forgiving angle. I love the postures in this image, with the three birds foraging while one appears to be on sentry duty. I did colour correction for this first in On1, as I gave it a quick go in Topaz and was just getting frustrated with the results.Here are the wattled cranes edited using On1 Photo Raw. I think this and the Topaz versions are the most successful in terms of colour rendering.
Up next are one of my favourite birds, the beautiful lilac breasted roller. Unlike the purple roller, I have seen this bird on all my trips in Africa, and have gotten a few really good shots over the years.
The version from Luminar.The version from Topaz.The version from On1.
These roller images are the best ones for comparing the software, since the bird is fairly close and the light unchanging. I am finding the version from On1 looking a little crunchy when compared to the other two, and the Topaz version lacking a little bit of contrast. I think I was able to bring out the colour and tones the best with Luminar on this particular image. I found Topaz was able to bring out a lot of fine detail in the feathers without making the image look crunchy (it’s hard to see on a web sized image, so you’ll have to take my word for it). I think the On1 version could have done well with backing off the tonal contrast a couple of points; though if that version had been posted in isolation, I would be very happy with it.
I started getting some editing fatigue looking at so many similar images, so I decided for the last few, I would just pick a few one-off bird images, and edit one of each in the various programs.
I edited this image of cormorants using On1 Photo Raw. This was shot during the early morning on Phinda Game Reserve, at one of the large dams on the property. It was a chilly, misty morning, and this cormorant was flying in while hippos were calling the in background. It felt like the reserve was just starting to wake up while we were sitting here.This is an African Hoopoe edited using Topaz Studio. I found the colours in this image flat (no fault of Topaz this time) and thought the image would work much better in black and white.This is a flock of red-billed quelea heading to a roosting spot at sunset. This was probably the largest flock that I have seen, spotted while staying in the Okavango Delta. I know from watching nature programs that these birds can flock in extraordinary numbers.
There are pros and cons to each of the programs; Topaz and the colour correction issues I have been having, Luminar with the lack of adjustable luminosity masks, and with On1, I don’t find the noise reduction function is a good as some other options. But saying that, all the options are robust programs that have a lot of great features, it’s just a matter of learning how to use the tools to your best advantage. I don’t feel like I am in any type of editing disadvantage by choosing to use these software options over the more common Lightroom and Photoshop scenario (that I also used for several years).
From these editing immersions and comparisons, I think I am a getting a little closer to knowing where all these options fit into my workflow.
